Crowning the design, as anticipated by `Abdu'l-Bahá, is a dome, which is set on an 18-windowed drum. That, in turn, is mounted on an octagon, a feature suggested by Shoghi Effendi. An arcade surrounds the stone edifice.
A restoration project of the exterior and interior of the shrine has started in 2008 and is planned to be completed in 2012.
The location is right above the German Colony, which was established in the 1860s by the German Templer Society, who were working for the Kingdom of God on earth. At the designated spot, the remains of the Báb were laid to rest on March 21, 1909 in a six-room mausoleum made of local stone. In a separate room, the remains of `Abdu'l-Bahá were laid to rest in November 1921. In 1929 three rooms were added to the mausoleum, and in 1949 the first threshold stone of the superstructure was laid by Shoghi Effendi. The construction was completed over the mausoleum in 1953 and was entirely paid for by Bahá'ís around the world.
The architect was William Sutherland Maxwell, a Canadian Bahá'í who was a Beaux-Arts architect and the father-in-law of Shoghi Effendi. Shoghi Effendi provided overall guidance, including in the use of Western and Eastern styles, but left the artistic details to Maxwell. Maxwell's design of the Rose Baveno granite colonnade, Oriental-style Chiampo stone arches, and golden dome is meant to harmonize Eastern and Western proportions and style. Maxwell died in 1952, and Shoghi Effendi named the Southern door of the Shrine after him. Some remaining aspects of the dome's structural engineering were designed by Professor H. Neumann of Haifa's Technion University.
In 1952, Leroy Ioas, an American Bahá'í who had been closely associated with the construction of the Bahá'í House of Worship in Wilmette, Illinois helped Shoghi Effendi in the construction process. Ioas employed his administrative skills and practical mind to supervise the building of the drum and dome, a task done without the availability of sophisticated machinery. Shoghi Effendi called the door on the octagon after him.
Because of the scarcity of building materials in the area after World War II, most of the stones for the Shrine of the Báb were carved in Italy with the assistance of Ugo Giachery and then shipped to Haifa. One of the doors of the Shrine was named after Giachery. The superstructure was said to be at the time the largest prefabricated building to move from Europe to any point in the world.
On July 8, 2008, the Shrine of the Báb, along with several other Bahá'í holy sites in Haifa and the nearby city of Acre (Akko), were inscribed on the UNESCO World Heritage List. The Bahá'í shrines "are the first sites connected with a relatively new religious tradition to be recognized by the World Heritage List.The UNESCO World Heritage Committee considers the sites to be "of outstanding universal value [and]...inscribed for the testimony they provide to the Bahá’i’s strong tradition of pilgrimage and for their profound meaning for the faith.
"We welcome the UNESCO recognition, which highlights the importance of the holy places of a religion that in 150 years has gone from a small group found only in the Middle East to a worldwide community with followers in virtually every country," said Albert Lincoln, secretary-general of the Baha'i International Community.
The shrine in the 50's
The Bahai gardens in Haifa :
a picture taken in 1919 on the location of todays
Shrine on the Bab one of the most
important places for the Bahai faith